A PERFECT FIT: Working as a fit model in the fashion industry

Often when dance auditions are posted, the casting notice will include a list of requirements. Requirements may be related to age or height and often you’ll have to know a particular style of dance like tap or hip-hop. One of the most common requirements included in dance casting notices is that the dancers must be able to pick up choreography quickly.

Dancers who are able to pick up choreography quickly are most likely to be hired for jobs. Directors and choreographers prefer to save time (and money) by working with dancers who are fast learners. Both new and experienced dancers often struggle with choreography, so if this is a problem for you, don’t feel that you’re alone.

Here are a few tips that dancers often use to help them overcome this common problem:

-Visualize yourself performing the movements as the choreographer runs through them. Repetition is the key to learning new moves, and doing them in your head repeatedly can be just as effective as physically performing the routine over and over again.

-Give each step a name. Creating a name for each move often helps dancers remember the steps more easily as well as anticipate the next move as they’re going through a routine.

-Imitate the choreographer using small movements as he or she goes through the routine. By imitating the movements as soon as you are shown the steps, you begin acclimating your body to the moves, which can also help you remember them better when it’s time to perform them.

-Pay close attention to how the choreography relates to the music. If the choreographer inserts a jump at a point in the song when the singer sings, “jump back” or something similar, those keywords can be a big help.

Lots of dancers create their own techniques for helping them pick up choreography. By talking with other dancers, as well as teachers and choreographers, you can find out lots of creative ways to help you learn choreography more quickly as well as become a better dancer overall.

To discuss techniques with other Star Search Casting members who are pursuing careers in the field of dance, log on to http://www.StarSearchCasting.com. Our community forum is a great place to trade tips and get great insights into the industry. Don’t forget to check out our auditions for upcoming dance opportunities near you.

Keeping Actors In The Loop

When we go to the movie theater to watch our favorite actors and actresses in a new film, we’re often blown away by the “magic” that we observe on screen. But there’s a lot of work that’s invested into feature films and just because it looks perfect when we see the end result – that doesn’t meant that it’s the product of a perfect process. In fact, the post-production phase of a film can be very involved and require everyone, even the actors, to help fix flaws that may have occurred during the shooting of the film.

Sometimes when shooting a film, while the footage may look great, there may be problems with the dialog. Perhaps the microphone didn’t pick up all of the lines in their entirety, or maybe background noise distorted the audio, making the dialog difficult to understand. Instead of shooting the entire scene again - which can be quite costly - the director may call an actor into the studio to re-record or dub his or her own dialog. This process is called looping. While it’s not the most exciting part of the job, it’s essential to creating the perfect end result that we’re all used to enjoying in the theater when we sit down with friends, family and buckets of popcorn to watch the latest action flick or romantic comedy.

When an actor is called in for looping, he or she goes into a recording studio with a microphone and a video screen. Once the scene is played for them, the actor must then try to match their dialog to what they see on screen. It sounds simple, but in fact it can be quite a challenge. They must consider rhythm, timing and tone, and sometimes these sessions occur months after they originally filmed the scene, so the scene is no longer fresh in their memory.

While acting is often considered to be a glamorous occupation – and it is – there are a lot of challenges. In addition to all of the creative aspects of the job, there are a lot of technical aspects that happen behind the scenes that can require as much time and energy as the onscreen work.

If you’re ever called into the studio for a looping job, especially if it’s your first time, it can be helpful to practice at home first. Videotape yourself without sound and then play the video back, while trying to match your voice to the video.

Think you have what it takes to make it as a successful actor or actress? Have you checked out the feature film auditions we have posted on our website? Visit http://www.EliteCastingNetwork.com for the latest casting calls in your area.

Win Over Casting Directors Every Time!

Are you a really great actor, dancer, singer or model but you’re having a hard time landing jobs? Sometimes talent isn’t enough to seal the deal. If you’re consistently late for your appointments, or come across as being rude or arrogant, no matter how talented you are, you may be passed over time and time again.

Succeeding in the entertainment industry often hinges on the ability to win people over. You have to sell yourself as a performer who is not only talented, but who’s responsible, professional and courteous to others. Want to get cast? Then dedicate as much energy to winning over the casting director that you dedicate to your craft.

So, how do you go about winning over the casting director? Here are a few easy tips that are guaranteed to help you make a positive, lasting impression on the casting director, and help you standout as a talent they’ll want to work with and endorse:

• Submit professional photos that both look like you and reflect your personality.
• Bring extra copies of your headshot and resume to your audition in the event yours have been misplaced.
• Consistently show up for your auditions on time.
• Be polite and professional to everyone in the casting office.
• Dress professionally.
• Demonstrate that you’re well prepared for your audition.
• Be receptive to the casting director and take direction as it’s given.
• Thank the casting director for his or her time before you leave your audition.

And as a little something extra, send a thank you note to the casting director letting them know how much you appreciate them for the opportunity. You can even have note cards or postcards created with your photo on them.

The goal is to standout from all of the other actors, singers, dancers and models that the casting directors will meet with. Even if you don’t get the job, I guarantee that you will leave a lasting, positive impression and the casting director will remember you when other opportunities arise.

Ready to begin using these tips to ace your next audition? Visit http://www.StarSearchCasting.com today and check out the thousands of auditions we have posted on our website.

The Benefits Of Good Dance Technique

Television and film producers have capitalized on the dance fever that has struck the nation. From shows like Dancing with the Stars and So You Think You Can Dance to movies like Step Up and How She Move, audiences everywhere are being swept up in the latest dance craze. Many of these shows and films are also encouraging more and more people to pursue dance as a career.

If you’ve watched any of the televised dance shows, then you know that training doesn’t automatically determine talent. Experienced dancers who’ve been training for more than a dozen years often share the stage with novice dancers who’ve learned their moves from watching music videos, or dancing in nightclubs. And sometimes when it’s time to make a decision, it’s the untrained dancer that moves on to the next round. Having passion, dedication and style can sometimes impress a judge even more than 12 years of advanced classes.

While the media is proving that lack of training doesn’t have to hold aspiring dancers back from pursuing their dreams, it is still important that all dancers begin taking classes. While proper technique isn’t a requirement for winning over judges, it is a requirement if you want to ward off injury.

Dance auditions require dancers to pick up choreography - which can sometimes be very complex - very quickly. If dancers haven’t grasped proper technique, strenuous auditions – and performances – can easily lead to injury. Choreography that may require jump landings or deep squats can lead to tendonitis and knee injuries. An improper turnout can lead to wear and tear on the hips. Poor posture can lead to successive back problems.

If you have a natural talent and you’ve decided to pursue dance as a career, begin taking classes as soon as possible. This is an exciting time for you and you don’t want to miss your big break due to an injury that could have been prevented by refining your technique.

For a list of dance studios in your area, visit http://www.EliteCastingNetwork.com and visit our 'Entertainment Resources' section.

Major Agencies Are Searching For You!!!

Each year thousands of model searches and open calls are held online and all over the country. Model searches and open calls are some of the best ways to increase an aspiring model's chances of being discovered by a major agency. In addition to the possibility of landing a contract or deal, model searches are a great opportunity to make contacts, learn more about how the industry works, and win great prizes including cosmetics, clothing, and other really great perks.

If you've heard you have to go to New York in order to get signed to a prominent modeling agency - that's simply not true. Agencies are just as determined to find new faces as you are to get signed. In addition to model searches and open calls in even some of the smallest towns, many larger agencies work with scouts from Jacksonville, Florida to Tacoma, Washington to find their next big client.

As an aspiring model, it can be difficult to know which opportunities to take advantage of when trying to land an agent and launch your career. Model searches and open calls are extremely helpful to aspiring models because:

• Most model searches typically cost less than $50 to participate and most open are free - there are some exceptions.
• You can find model searches in your own hometown, or online which means you don't have to spend an arm and a leg on travel and accommodations.
• Model searches are a great opportunity to get feedback from industry professionals who can advise you on your strength and your weaknesses.
• You can get a better idea of what kind of work you're best suited for, ex. Runway, catalog, etc.

If you've been doing your homework then you know that Elite Model Management is the largest modeling agency in the world, representing more than 800 models from five continents. Models previously represented by Elite include Tyra Banks, Claudia Schiffer, Heidi Klum, and Gisele Bundchen. If Elite can help those models rise to fame, then imagine what they could do for you!

Well signing with Elite may just be easier than you think. Aspiring models often think that meeting with a large agency without dazzling photos is almost impossible, but that's not true at all. Did you know that at the Elite Model Management office in Chicago, they have an open call EVERY DAY at 3:30PM? Did you also know that professional photos are not required, no appointment is necessary and dress is casual? The only requirement is that girls are at least 5'7 and guys are at least 5'11 and it's suggested that you wear little or no makeup.

Isn't exciting to know that the opportunities are out there? For more information about opportunities available to aspiring models, visit http://www.EliteCastingNetwork.com and check out our 'Auditions' page.

How To Pick A Vocal Coach

If one of your New Year’s resolutions was to become a better singer then you may be considering taking voice lessons this year. Training is a very important part of seriously pursuing a career in the entertainment industry, so when you’re searching for a teacher or coach, you want to make sure that you are working with a top notch professional that will really help you take your talent to the next level.

Finding a teacher or a coach is no different than purchasing a car, or making a huge financial decision. You want to be sure that you do your homework, as well as ask lots of questions to be sure you’ll be happy with your choice.

If you’re looking for a vocal coach or singing teacher, here are a few questions you may want to ask:

• What formal education and/or training do you have?
• How long have you been singing? How long have you been teaching?
• What’s your vocal range?
• What styles are you most familiar with? (Ex. musical theater, jazz, pop, opera…)
• Have you received any awards or commendations?
• What’s the age range of your students?
• Are you a member of any professional organizations such as the National Association of Teachers of Singing or the Voice and Speech Trainers Association?
• What are your primary areas of instruction? (Ex. singing technique, performance coaching…)
• Where are your lessons held? (Ex. in a studio, in the home…)
• What’s the cost of each session?
• Do you have a list of references?

You should also meet with the prospective teacher to be sure that you would be comfortable with him or her. Additionally, you should ask them to sing for you, which will also aid you in your decision.

Another great way to find a teacher is by asking friends and trusted sources for references. Visit http://www.StarSearchCasting.com and check out some of the vocal coaches we have listed on our site. You can also post a request for references in our community forum. Happy hunting!

How The Writers’ Strike Is Impacting Actors

I was talking to a friend of mine the other day who is a working actor. He has appeared in several films and television shows, including a recent role on ER

on NBC. Normally his day is consumed with auditions, but when I talked to him he had actually just finished working a 9-5 job at a local Los Angeles office and was preparing to go and teach an evening acting class.

The Writers Guild of America strike has left many actors all over the country out of work, and uncertain of what's ahead for them in the near future. With the number of auditions dramatically reduced and a number of projects on hold, many actors are taking temporary jobs so that they don't deplete their savings while they await the outcome of the strike.

So what's an actor to do? For many it's a toss up. According to SAG, actors who were in the middle of the project cannot be placed on unpaid hiatus. Instead the studios must either: 1) terminate the actor; 2) put series regulars on hold at full salary; or 3) suspend the actors for a period of up to five weeks at half pay.

For other actors who weren't contracted for a role at the time of the strike, it seems they may have a lot of idle time on their hands indefinitely. If you're an actor and you're out of work due to the strike, don't get discouraged. In your free time, perhaps consider:

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• Taking or teaching an acting class
• Trying your hand at standup comedy to sharpen your comedic skills
• Volunteering at a local organization
• Supporting the writers by joining the picket line

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Some may view the lull as evidence of the tumultuous nature of the industry but every industry experiences downturns. Just ask any real estate agent or dot com investor. All we can do is wait it out. In the meantime, there are still lots of projects that are not being affected by the strike. Visit http://www.EliteCastingNetwork.com for a list of casting notices for projects that are forging ahead with production.

A Dancer’s Dilema: Should I Go To College?

While a career as a professional dancer is rewarding, it can also be extremely demanding. The toll that it can take on a dancer’s body can often lead to a short-lived professional career. Based on that fact, many dancers often struggle with the decision of whether they should go to college or immerse themselves in their career immediately after they graduate from high school in order to maximize the years their bodies are able to endure the physical stresses of the industry.

While most ballet dancers who have the potential to become professional dancers either join a company or a conservatory immediately after high school, dancers who pursue other types of dance including modern, hip hop, and lyrical have more flexibility in their decision. This decision is usually made after weighing the pros and cons and making a decision that’s best for the individual.

Some critics argue that the majority of college dance programs are not designed to train professional dancers, and that dancers benefit most from professional experience accompanied by studio classes. Others argue that a college degree helps dancers to prepare for post-dance careers, develop their level of maturity and learn many of the skills they will need to live in cities like New York, Los Angeles or Chicago where there are lots of opportunities for work.

If you’re a dancer and you’re struggling with whether or not college is right for you, ask yourself the following questions:

• Do you have other interests outside of dance that are equally important to you that can be nurtured by attending college?
• Do you have a desire to teach at the collegiate level as a post-dance career?
• Do you think college would be beneficial in helping you learn important life skills and lessons such as meeting deadlines and following through on projects before you head out into the real world?
• Is having a “backup plan” important to you?

If you’ve answered yes to any of these questions, then college may be an important step in your journey. However, if you’re still not sure, you might also look into colleges that offer delayed enrollment, which would allow you to take the professional route for a year with the option of entering college the following year. Some dancers also try community college while pursuing their dance career in order to earn credits in a less demanding setting.

If you’d like to explore professional dance opportunities in your area, visit http://www.StarSearchCasting.com and check out some of our casting notices.